I'm not dead.
Tired: There aren't enough days in a week, let alone hours in a day. My sleep is messed up, and I can't correct it now; I'm going to have been up for 24 hours and be pretty tired by the time 6pm has come and gone. But that can't be helped. I'm working a pretty hectic amount.
Work: I have a practical module that should occupy 5 hours a week. In actuality it's taking up 10, two afternoons that I need for other modules and things. My partner for the project is not communicative, and appears to work a 60+ hour week. Which I don't, can't, wouldn't want to do, and quite honestly don't think is necessary. Hard work is a virtue, don't get me wrong, but sometimes a bit of dynamism would really help us out in these sessions, and it doesn't benefit me
at all to take a two day break to read up on the subject. Fill in the forms. Hand them in. Get the work done and move on.
I've also got to do a presentation on Friday and I'm pretty sure my group for that hate me. They haven't even seen my part of it yet. I hope they're going to be pleasantly surprised.
Housing: Found a house for next year. It is nice, not expensive (cheaper than at present), but for three people so claustrophobia will set in, inevitably. Will I enjoy living on Heron Drive next year? I hope so, but I'm not certain yet.
Writing: I started writing something new, during a seminar in fact. I like the idea at the moment. At present I'm jotting down scenes and passages that seem particularly vivid right now. Bridging them could be a hellish job. But it's fun. It's a simple story and I'm mainly using it to get a feel for writing extended pieces, experiment with style. A good friend has offered to read and critique product. Much appreciated but not certain I'm ready for that!
Reading: Read a wonderful book in
The Zero by Jess Walter. This tremendous disjointed work of fiction follows Brian Remy, 9/11 hero cop, as he makes sense of the world in the days and weeks following New York's darkest hours. He can't convince his son to stop mourning him, he's retiring with a fake bad back and damaged eyesight that will soon fail, and he's begun to experience 'gaps' in his consciousness. Walter ponders upon the state of American culture and security while his protagonist attempts to regain control of his existence, and begins to realise there's a sinister side to these dissappearing periods.
More than anything, I was taken aback by the sheer beauty of Walter's prose. Reading this on the back of a fairly low-grade spy thriller, I was nearly crying with joy at the end of the first sentence, and couldn't help but put this book down regularly, close my eyes and meditate, not on the concepts, but the words and their arrangement, like the array of shades on an oil painting. Unlike me, Jess Walter has a fantastic ability with metaphor. A definite recommend for fans of Catch 22, Mailman (Robert J. Lennon), Vonnegut, and maybe also Salman Rushdie.
I'm following up with
The Last Testament, by Sam Bourne. Not such a hit, there's one obvious comparison to be made (other than every shoddy paperback spy thriller ever written, I suppose). Moderately better writing style than Dan Brown but a far weaker sense of storytelling, and a nasty habit of hinting at things that haven't been revealed yet at least 5 times a chapter (which are 4 pages long). I'm not disappointed. It's a bit of a waste of paper, but a bit of diversity in one's literary diet can't be a bad thing.
Next up is
Crime and Punishment, which I am looking forward to very much (that's not just relative). I haven't read many classics but this is one that has long appealed to me. It'll be the first time in some while I'll have read something written before 1900. And then a little bit of non-fiction; Heat, by Guardian journalist George Monbiot. Recommended to me by a fellow at a house party, purchased cheap online, I'll be interested to see what direction it takes.